There’s something bewitching about Fuyuko Matsui. I mean that in both senses of the word.
Yes, she’s rather too beautiful and her art is strangely mesmerizing, but, more than this, she actually seems to have some occult power to interfere with electronic equipment. Arriving at her Tokyo gallery to interview her about her latest exhibition at the Yokohama Museum of Art, my main camera goes on the blink, only to completely recover after I return home.
You may well be thinking, “Idiot! He forgot to charge the battery,” but there’s no way I’d forget that with the prospect of shooting someone as appealing as Ms. Matsui. Indeed, I even brought a back up camera, which luckily was unaffected by whatever dark spell it is that she emits.
Yes, she’s rather too beautiful and her art is strangely mesmerizing, but, more than this, she actually seems to have some occult power to interfere with electronic equipment. Arriving at her Tokyo gallery to interview her about her latest exhibition at the Yokohama Museum of Art, my main camera goes on the blink, only to completely recover after I return home.
You may well be thinking, “Idiot! He forgot to charge the battery,” but there’s no way I’d forget that with the prospect of shooting someone as appealing as Ms. Matsui. Indeed, I even brought a back up camera, which luckily was unaffected by whatever dark spell it is that she emits.
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